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Horror World

"be prepared to be blown away by some of the best genre short story fiction written in the last few years."


Bookgasm

"the anthology makes a strong case for 2009’s best"

The Death Panel: Murder, Mayhem, and Madness

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The Death Panel

Murder, Mayhem, and Madness

Hard boiled, violent tales of crime and horror from Tom Piccirilli, Scott Nicholson, Simon Wood, John Everson, Randy Chandler . . .

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Cover Price: $14.95
Release Date: November 23, 2009
6x9 Trade Paperback, ISBN: 9780982097991
Availability: In Stock


Available at Amazon.com, Barnes and Noble, and Amazon UK, and also on Kindle and Nook.

The Death Panel: Murder, Mayhem, and Madness

The Death Panel is a collection of 13 stories (12 new and unpublished) from award winning authors of crime, suspense, and horror. Sadistic serial killers, monsters, cops, the mob, and detectives, all rolled up into one roller coaster ride of an anthology. Ultra violent, hardboiled, with a healthy dose of horror, The Death Panel is a no-holds-barred trip to the dark side, and sure to give Sarah nightmares!

Our Panel of Death Includes:
Randy Chandler, Tim Curran, John Everson, Brandon Ford, Kelly M. Hudson, David James Keaton, Scott Nicholson, Tom Piccirilli, Zach Sherwood, David Tallerman, Fred Venturini, Erik Williams, Simon Wood and editor Cheryl Mullenax.

Reviews


Horror World | Monster Librarian | Fatally Yours | Bookgasm |

HORROR WORLD

Review by T.T. Zuma, Horror World, February 2010
Read the full review at Horror World

These noir themed plotlines in the stories presented in The Death Panel are like a deep breath of fresh air; it’s nice to break with convention occasionally and these stories do so wonderfully.I found myself glued to this book, and when finished, I wanted to read more, it was that enjoyable. So if you’re looking for something a little different to read in your horror fiction, a book with stories that are edgy and cool as all hell, then pick up The Death Panel, and then be prepared to be blown away by some of the best genre short story fiction written in the last few years. Yes, this book is that good.

MONSTER LIBRARIAN

Review by Erik Smith, Monster Librarian, January 15, 2010

Not all of the stories in The Death Panel are horror, but they are all good. This is more of a hard boiled crime anthology, with some hard boiled horror thrown in the mix. I happen to be a fan of both genres, so I enjoyed the mix of private eyes, dirty cops, gangsters and the occasional monster. With a mix of favorite authors and those who are new to me, the stories range from straight up noir to supernatural crime. Favorites include: "Blood Sacrifices & The Catatonic Kid" by Tom Piccirilli, in which two residents break out of a mental hospital, with violent results. "The Neighbor" by Brandon Ford, asks "What happens when a lonely "trailer" wife thinks her neighbor is a serial killer? Do you really want to know?" In Fred Venturini's story "Detail", an ex-cop runs a discreet auto detailing business, and keeps secret files on his customers. When he meets a beautiful woman in trouble, his life gets out of control. John Everson's "The Mouth" is the story of a sadistic sex freak, always looking for a new thrill, who is pointed towards a girl known only as "The Mouth". This one is not for the easily offended. "Nine Cops Killed For A Goldfish Cracker" by David James Keaton is difficult to describe. It's a bizarre story of a man who needs to pay the rent, a goldfish with a thousand dollars in it's stomach, and all the cops who get in the way. I could go on and on, talking about Tim Curran, Kelly M. Hudson, Simon Wood, and the rest, but you should read these gems for yourself. If you are a horror fan who wants to expand your horizons, I highly recommend picking up The Death Panel.

Contains: Sex, Violence, Strong Language and Gore

FATALLY YOURS

Review by Fatally Yours, January 13, 2010

Comet Press follows up its fantastic short story collection Vile Things: Extreme Deviations of Horror (review) with The Death Panel: Murder, Mayhem and Madness. Like Vile Things, The Death Panel is edited by Cheryl Mullenax and she definitely knows how to pick ‘em! The Death Panel is chock full of vicious, ultra-violent and hardboiled short stories from authors Randy Chandler, Tim Curran, John Everson, Brandon Ford, Kelly M. Hudson, David James Keaton, Scott Nicholson, Tom Piccirilli, Zach Sherwood, David Tallerman, Fred Venturini, Erik Williams and Simon Wood.

The collection starts with a bang with Randy Chandler’s Lipstick Swastika, a story with a ‘40s noir feel about a hotel security guard that suspects a buxom German blonde to be an escaped Nazi war criminal. The story is full of smoky rooms, irresistible broads, hard men and steamy sex contrasted against explosive violence.

The violence continues with Blood Sacrifices & The Catatonic Kid by Tom Piccirilli. This is about an older gentleman in a mental institution and the “The Catatonic Kid,” who one day snaps and escapes the institution, leaving a bloody wake behind him. Things aren’t always what they appear though, and the story features a you-will-never-see-it-coming twist!

One of the most imaginative of the stories is Kelly M. Hudson’s What Makes An Angel Cry, which creates a world where angels run Queens and Satan runs Brooklyn and the two sides are always fighting like rival gangs while humans try to steer clear. I really enjoyed this one, just for the sheer whimsy and creativity of the author, but there is also plenty of bloody fighting in it for the gorehounds out there. Hudson really develops the main character, a human named Billy who runs a bar, and the story has a gruff, New Yorker feel to it that just rang true.

In Brandon Ford’s disturbing tale The Neighbor, he keeps us on our toes as a trailer park wife suspects her neighbor may be a serial killer. This is a nitty-gritty tale that ratcheted up the suspense and kept surprising me with its many twists and turns.

The hits keep on coming with The Name Game by Scott Nicholson, about a snitch that loses his new identity only and the only way out from the mobsters he’s running from.

Next is one of my favorites, Fly by Night by Tim Curran, about some criminals who picked the wrong truck to hijack…and now must pay a very pissed creature of the night with their lives.

My absolute favorite of the collection, though, is Fred Venturini’s Detail. Precise and perfect, this short story had me by the short hairs. It’s about a car detailer that cleans up after people’s “accidents” and is known for being discreet, yet he keeps evidence against his clients in case he ever needs it. A fiber here, a blood sample there, all stored in a safe and carefully filed for potential future use. When he falls in love with a client who had been cheating on her husband, though, things take a tragic turn. Just like the stories title, it’s all about the details in this one and Venturini fits them together beautifully.

Parental Guidance by Simon Wood is about the perfect all-American family, the Barnes, and father Preston Barnes’ secret and extreme method of keeping his kids in check. Rindelstein’s Monsters by David Tallerman is a murder mystery filled with supernatural beasts confined to a mental institution. The Hooker in the Backseat by Erik Williams is about a grim father/son reunion after the son gets out of prison for covering for his pop.

The most shocking story of the collection is John Everson’s The Mouth, about a prostitute whose mouth is a vagina and whose vagina is a mouth. Apparently it gets pretty confusing for a john and he sticks it in the wrong place and impregnates her neck. Things don’t end well…

Nine Cops Killed for a Goldfish Cracker by David James Keaton is a surreal urban tale about a junkie trying to pay rent on time but having to face innumerous obstacles. I loved the inventive writing style of this one, but it’s definitely not for everyone.

Zach Sherwood’s Board the House Up end the collection with an uneasy story about a cop on suspension that decides to check out a burglary in progress but finds something much more horrifying than robbers.

There is not one bad story contained between the pages of The Death Panel: Murder, Mayhem, and Madness. I eagerly read the noir-tinged and hard-boiled stories of crime, violence and horror and eagerly await Comet Press’ next release, because they and editor Cheryl Mullenax are really making a name for themselves in the horror community!

BOOKGASM

Review by Rod Lott, Bookgasm, December 24, 2009

Sarah Palin is good for something after all. Her fearmongering over the health care mess coined a phrase that inadvertently gave Comet Press a terrific title for a crime-based anthology, in THE DEATH PANEL: MURDER, MAYHEM, AND MADNESS, edited by Cheryl Mullenax.

The loose theme yielded some tight writing. Thirteen stories are included, many from young upstarts rather than established vets, and this is a rare case where there’s nary a dud among them. However, that assumes you have a strong stomach and a mind that’s not easily offended. And if that sentence causes an eyebrow or two to twitch, are you in for a treat.

The fatal fun begins with Randy Chandler’s “Lipstick Swastika,” in which impotent hotel detective Trench investigates a fourth-floor guest of Twilight Towers: a buxom German woman who is rumored to be a Nazi war criminal. What happens when e’er the two shall meet was a wild, welcome surprise, setting the reader up for an expectation-shattering 200 pages to follow. As I read this first story, I thought Trench had franchise potential written all over him, and sure enough, the “About the Authors” section at the end confirms that Chandler beat me to the punch.

Tom Piccirilli details a mental hospital breakout that doesn’t turn out as planned, in the tense “Blood Sacrifices & The Catatonic Kid,” while Kelly M. Hudson follows with a little levity in “What Makes an Angel Cry,” concerning angels and demons in a human’s bar, and having to call Satan to survey the aftermath of their dust-up.

“The Neighbor” is next, and it’s your first indication that the book doesn’t flinch in the gore department. Brandon Ford tells the tale of two trailer park denizens, one of whom has a taste — both physically and sexually — for dead girls. Its gruesomeness is one-upped — or three-upped, or whatever — later with John Evenson’s “The Mouth,” about a kink-seeking deviant who meets a mentally handicapped woman whose vagina is where her mouth is supposed to be, and vice versa. True love! The term “outrageous” doesn’t even begin to cover this one.

Scott Nicholson plays “The Name Game,” with a Mob witness trying to acquire yet another new identity, after just having his latest new one stolen. The collection veers back toward horror when Tim Curran explores vampiric creatures among hardened criminals in “Fly by Night”; making a nice bookend for it is David Tallerman’s werewolf-ridden “Rindelstein’s Monsters.”

Quite possibly the best story comes smack in the middle, with “Detail” by Fred Venturini. It’s about a car detailer who advertises as being “discreet,” which means he makes bank by cleaning up the backseat evidence of crimes and infidelities, and sometimes both. Unbeknownst to his clients, he retains evidence of their misdeeds, just in case. One of them is a woman who brings in her Hummer H3 to have her cheating trail erased, and he falls for her. You know it can’t end well, which makes the inevitable all the more tragic once reached.

After that punch to the gut, it’s nice to have Simon Wood onboard with the playful “Parental Guidance,” a jet-black comedy about a loving father who spills his secrets to a neighbor about making his son behave. It’s too bad ALFRED HITCHCOCK PRESENTS isn’t around anymore, because this clever number would be a shoo-in for an adaptation.

But things can’t stay comparatively light forever, and THE DEATH PANEL knocks out the light bulbs to close with Erik Williams’ “The Hooker in the Backseat,” a troubled father/son tale; David James Keaton’s grimy “Nine Cops Killed for a Goldfish Cracker”; and Zach Sherwood’s “Board the House Up,” about an abode a cop quickly regrets entering.

With sharp writing and a crisp design to match, the anthology makes a strong case for 2009’s best. It’s only Comet Press’ third release, but already, the small-press label has distinguished itself as a reliable name brand. Pick it up, if you’ve got the balls. —Rod Lott

 

Table of Contents

Lipstick Swastika Randy Chandler
Blood Sacrifices & The Catatonic Kid Tom Piccirilli
What Makes an Angel Cry Kelly M. Hudson
The Neighbor Brandon Ford
The Name Game Scott Nicholson
Fly by Night Tim Curran
Detail Fred Venturini
Parental Guidance Simon Wood
Rindelstein’s Monsters David Tallerman
The Hooker in the Backseat Erik Williams
The Mouth John Everson
Nine Cops Killed For A Goldfish Cracker David James Keaton
Board The House Up Zach Sherwood